I paid a return visit to the BNP section of British Democracy Forum today.  This section, with the Griffin-hating Nationalists Online and its antithesis, the nauseatingly loyal Home of the Green Arrow, is the mainstay of British Nationalist chatter on the net.

What I found on my visit to BDF today was a thread titled Definition of britishness? - your aims & goals which had been begun on 1st May by a lady named Valentina (whoops, Katerina).  She turns out to be an inquisitive Jew, which hardly surprised given that she served up a picture of British Nationalism as Nazism with, of course, a heavy helping of Holosauce on the side.  On page 8 of the thread I offered a novel corrective (using the name of a character from a treasured British film comedy of my childhood).

I wish I could say that the result was a passionate and dangerous, liberating exploration of the issue of ownership of discourse.  But no matter how I spelt it out, neither British nor Jewish Nationalist would take up the challenge.  All that happened, basically, was that the owner of BDF advised me through the in-house mail system:

You have received an infraction at British Democracy Forum.

Reason: Signature Rule Violation

The offence was “dragging threads off topic with your tedious Jew bashing.”

I wonder, sometimes, whether even nationalists (or nominal nationalists, at any rate) are too insensate to their own captivity to recognise the distant, weak light of freedom.

by Cladrastis

There is an ongoing debate regarding how WE might regain the reigns of power – how we might take the captaincy of the vessel, so to speak. We all know the problem – the intoxicated captain (whose name is “He Who Wrestles with God” or Jacob) is steering us directly into an iceberg. Under Jacob’s captaincy, the ship has been neglected; our vessel is already taking on water, and the boilers are running out of steam (not to mention the problem of the exploding rat population). What good will it do us to usurp Jacob’s power if the ship is no longer seaworthy?

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by Alexander Baron

Occasionally in my life I have experienced a revealed truth, usually nothing very profound. In January 1986, I experienced one which led me to renounce alcohol, literally there and then. On April 23, 2010, I experienced another one.

I was doing some shopping in Sydenham, and called in at the Iranian store on the way home; one of the things I wanted to buy was a packet of noodles; I’d bought one there the previous day, but couldn’t find it in the kitchen, so figured I must have left it in the store. This was indeed the case, because the old guy who served me pointed this out, and as he bagged up the replacement with my loaf of bread told me to get another packet and he’d only charge me for the one.

Okay, it’s only a little thing, not even half a quid, but he didn’t have to bother. I looked at him, he was somewhat older than me, and unlike me, almost certainly not childless. I thought he must have grandkids, probably living in Iran. Then I thought of this man, below. Looks uphappy, doesn’t he? Wanna know why he looks so unhappy?

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by I. Bismuth

As an academic at the forefront of social and cultural transformation I like to keep abreast of the latest developments in the visual arts, and I am a regular visitor to the Shooting Gallery, an exciting little space not far from the university. It presents a new exhibition of contemporary works every couple of months. I never trouble to find out beforehand what I am going to see, being confident I can rely on the gallery’s board of trustees to keep pushing the boundaries of artistic expression, but always the same boundaries and always in the same direction. That, at any rate, was my fond belief. So last week, when I picked up the catalogue and entered the main room, I was totally unprepared for the experience I was about to undergo.

The first thing with which I was confronted was a full-length standing nude, a female with pearly skin, not an over-eater, not a starveling, and with no obvious abnormalities, amputations or signs of substance abuse. The painting was beautiful. There was proportion, order, balance, harmony, rhythm, and unity, for God’s sake. The model was beautiful, too. There was the blueness of her left eye and there was the blueness her right eye, and, as if that were not enough, there was the blackness of her hair, the same hair, mind you, that reached down to caress the whiteness of her shoulders, damn them. What was going on here? I was in the Shooting Gallery ... the same Shooting Gallery. I could not be seeing what I thought I was seeing.

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Reading Keynes’ critique of Gesell the key intellectual failing of Keynes’ entire body of work is best exemplified in this concluding remark:

“Thus if currency notes were to be deprived of their liquidity-premium by the stamping system, a long series of substitutes would step into their shoes — bank-money, debts at call, foreign money, jewellery and the precious metals generally, and so forth.”

If Keynes had merely taken one more step beyond Gesell (and himself) to identify in-place liquidation value of net assets as the tax base (or, if one prefers, one can call it the “demurrage base”) he would have escaped the profound irony embodied in his initial observation of Gesell:

“..whose work contains flashes of deep insight and who only just failed to reach down to the essence of the matter.”

by Alexander Baron

Recently, while doing some totally non-controversial research into contemporary music, I happened upon a website called 100GreatBlackBritons; I was led there by the name Phil Lynott. I was surprised to find his name on this site, because although I knew he was born in Britain, I have never regarded him as great in that context. I have been a Thin Lizzy fan since I first heard Whiskey In The Jar way back in the early 1970s, and have studied no less than three biographies of the man.

Phil Lynott was one of a kind, along with Rory Gallagher he is unarguably the most influential figure in Irish rock music. Thin Lizzy hailed from Dublin, and Lynott himself often claimed to be Irish born and bred. In March 1973, articles in Melody Maker and New Musical Express said he was born at Dublin and in the Irish Republic respectively; the former gave his date of birth as August 20 1951. In fact, Philip Parris Lynott was born in the Hallam Hospital, West Bromwich, the illegitimate son of an Irish Catholic teenager and a Negro civil servant. Although black, or technically half-black, he was totally assimilated, paying only lip service to his Negroid roots by writing a mere handful of songs with racial themes, mostly early on in his career. In his personal as well as his musical life he was surrounded by white people, and was totally accepted by them as he grew up between Manchester and Dublin. It is doubtful if he ever experienced racism, even if such an entity existed.

Although renouncing his British identity, Lynott was not in any way ashamed of it; he identified with Ireland for mystical reasons, primarily his fascination with Irish history and legend, which is reflected in many of his songs. This romanticising flowed over into his personal life; he liked to claim his father was a Brazilian seaman, but in January 1976, after rising star Phil and his band were featured in the popular weekly Titbits, Cecil Parris materialised. Rather than a character from an Errol Flynn film, he appears to have been more like Del Boy out of Only Fools And Horses. They did not meet again.

Phil Lynott was the archetypal rock star – live fast, die young. He succumbed to septicemia and multiple organ failure in January 1986, the result of his addiction to heroin. Although not the greatest bass player in the world, he was a competent rock musician, but his true strength was as a writer/composer. A lot of his songs, even the more commercially oriented, have deeper meanings, and to call him the High Poet of Irish Rock is no exaggeration. But was he a great man?

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From the Telegraph:

Separatists win Flanders region in Belgian elections
Belgium’s future as a unified federal state was in doubt last night after a national election landslide for Flemish separatists in the Dutch-speaking north of the country

Early results put the nationalist New Flemish Alliance (N-VA) on an unprecedented 29 per cent of the vote in Flanders, catapulting separatists to the forefront of Belgian politics.

French speaking Socialists on the opposite end of the political spectrum to the right-wing N-VA, both on the question of Belgium and on economic policy, were the largest party, on 36 per cent, in Wallonia, which has a smaller number of voters than Flanders, as well as Brussels, the country’s only officially bilingual area.

Bart De Wever, the N-VA’s leader, may have won a historic number of votes, however he is unlikely to be asked by Belgium’s King Albert II to form a Federal government.
Instead, Elio Di Rupo, the Walloon Socialist leader, is expected to become the first French-speaking Prime Minister since 1974 at the head of an uneasy alliance of five federalist parties.

Following the election, the Dutch-speaking Flemish and francophone Walloon communities have never been more divided since they were welded together in an unhappy Belgian union in 1830.

The rise of mainstream Flemish nationalism, with the N-VA on course to become the country’s largest party, is unprecedented in Belgium’s 180 year history and will lead to a protracted political deadlock as the divided country tries to form a coalition government.

“It is a true earthquake,” said Mark Eyskens, a former Belgian Prime Minister and a Flemish Christian Democrat.

The N-VA vote will have more than doubled since the 2007 election.  Vlaams Belang, on the other hand, won 11.99% of the Flemish vote in 2007, a performance which dipped to 9.87% in the 2009 European Parliament election.  I cannot find their figure for today’s poll, but it must have been hit by the N-VA’s success.  If so, that would be clear evidence that where an electorate like the Flemish (or the Scots or the Welsh) defines itself through grievances against an ancient neighbour the racial issues which exercise ethno-nationalism cannot come to the fore.  That would beg the perennial question, of course, whether those issues can ever come to the fore.

Perhaps the best that ethno-nationalists in Flanders can hope for is that civicism will deliver separation and facilitate a redefining of the national conversation.  Out of that an opportunity to raise the larger questions may arise.

In any event, tonight the Belgian marriage looks more certain to end in divorce than ever.

by PF

This is a question, open-ended, for your consideration, stemming from debates with liberal friends ...

A recurring picture-argument is that of the possibility of a universal Renaissance, conditioned on the possibility that all people everywhere get a middle-class white upbringing. Essentially this scheme would graft onto the private lives of numberless ghetto-dwellers the kind of nurturing, loving, book-reading childhood enjoyed by upwardly-mobile middle class whites. This is justified because the liberal formulating the argument understands that patterns of behavior are given their first impetus by parents when the child is young. That component of non-genetic variation which is formed by imprinting in childhood is the wiggle-room they need to make everyone theoretically conformable to European standards of behavior.

A person adept at truth search would have to detect in themselves, were they to find themselves arguing in this way, the existence of a cherished hypothesis beating a hasty retreat into a shadowy corner of plausibility where its premises can evade inspection ... for the moment. Realizing that one cherished a hypothesis, which is a sin in the truth search, one would have to take steps to remedy it. But since our liberal friends might not be tainted by that degree of enthusiasm, we have to encounter this argument on its own terms and not point out how suspiciously it resembles certain things you might have learned to recognize from elsewhere ...

Its not clear which entity would ‘reach in’ at the appropriate time to prevent the inappropriate behavior while the non-whites are being upbring-ated. Who would shop for them, and choose healthy groceries? Who would prevent the Dad from drinking? Who would prevent the mother from spending 20+ hours watching television? Who would allocate the spending of money which resulted in enough money being left over for cultural events such as attending art museums? Who would attend to the thousand little details (time allotted? car keys? everyone present? enough gas? directions?) which in the absence of real motivation to go to the art museum, give birth to myriad rationalizations about why it need not happen. In the absence of the DNA-sprung desire to see art, explore and understand the world, who would explain to the children the context of what was being seen, and tie it into a larger narrative emerging from adult experience and knowledge? Who would prompt the natively-uninterested person to bring up the same issues later at the dinner table, sustaining a living interest in what had been experienced? Are government entities going to do this? Individual concerned citizens?

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